COLORS OF MY SOUL

Colors Of My Soul is a non-narrative short film composed of moments gathered over the last three years across 9 states and 2 countries. Inspired by the legendary visual language of Ron Fricke’s Samsara and Baraka, the film leans on rhythm, movement, and observation rather than story, allowing images to speak for themselves. It is deeply personal—an honest reflection of how Taylor sees the world and a quiet testament to his instinctive and expressive style of shooting.

Festivals and Showings

Colors of My Soul has officially entered the international film festival circuit, with active submissions currently under consideration by festivals in the United States, Canada, and the United Kingdom.

The film is presently being reviewed by

  • Bend Film Festival (Bend, Oregon)

  • Toronto Short Film Festival (Toronto, Canada)

  • London Short Film Festival (London, England)

  • Red Rock Film Festival (St. George, Utah)

  • Cine Pobre Film Festival (Oaxaca, Mexico)

  • Atlanta Spotlight Film Festival (Atlanta, Georgia)

  • Atlanta Underground Film Festival (Atlanta, Georgia)

  • Leith Short Film Festival (Edinburgh, UK)

  • River Bend Film Festival (Goshen, Indiana)

  • Creators Film Festival (St.Watertown, New York)

  • The Pottsville Film Festival (Pottsville, Pennsylvania)

  • Outdoor Film FeSTival (Bend, and Portland, Oregon)

Over the coming months, the project will continue its journey through national and international programming selections as part of its global festival release.

Origin Of The Film

Colors of My Soul was filmed over the course of five years across the United States and Central America, including Antigua and Lake Atitlán in Guatemala; Los Angeles and Chico in California; Bend, Sisters, and Florence in Oregon; Oahu, Hawaii; Wilcox, Arizona; Nesmith, South Carolina; Monticello, Georgia; and Ashton, Idaho. The film is composed entirely of footage captured during personal travel and professional documentary work. After collecting nearly 72TB of footage, these moments were later curated and assembled into a non-narrative visual archive reflecting memory, movement, and emotional experience.